Rapid Contact

Email:
Subject:
Message:
Anti Spam: Please enter 5937 into this box
Scott C. Parker, PLASA Member
Scott Parker,
Plasa Member

CB Login

CB Workflows

CB Online

None

Sup. Sat. Media Partner

Lighting&Sound America Online News

Super Saturday Photos

Stage Seminars Super Saturday RSS
How to Make Your Resume ROAR E-mail

How to Make Your Resume ROAR (Results Oriented and Relevant)

from wikiHow - The How to Manual That You Can Edit
Two of the most important characteristics of a resume are that the resume must be Results (not task) Oriented And Relevant to potential employers. Unfortunately, many resumes present the reader with life histories and/or restated job descriptions (task oriented) rather than statements of accomplishments (results oriented). Furthermore, many resumes do not clearly state how the potential employer will benefit from hiring the potential employee. They leave that to the potential employer to determine. These two problems may lead to the resume being ignored.

Read more...
 
Vectorworks E-mail

Vectorworks is my personal choice for CAD software. Vectorworks is one of the few CAD companies to hire theatrical lighting designers to join their team of programmers. They offer a free version for students and teachers to install on their personal computers. Schools will have to purchase the software if they wish to install it in computer labs.

http://student.myvectorworks.com/

 
1 Point Perspective Desk, how to. Simple front view. E-mail

Using 1 point perspective to draw a desk. We start with a single 1 point box and then expand to make a desk.

 
Drawing a set on stage in 1 Point Perspective E-mail

Drawing a basic room on stage in perspective.

 
Shading 2 Point Room, Part 1 E-mail

Here I show how to shade our 2 point perspective front view sketch. These are basic sketching skills that will lead to creating front veiw renderings. Having sketches like these go a long way to help communicate with the director and the rest of the creative team during the pre-production process.

 
Shading 2 Point Room, Part 2 E-mail

Shading our 2 point perspective front view of a basic set design. Adding more drama through darker shading. Creating a black and white front view rendering that a set designer, and/or a lighting designer would use to communicate with others what they planned on placing on stage for a production.

 
Welcome to HSTech & StageSeminars E-mail

Hello. my name is Scott Parker and I want to welcome you to these design/tech pages. HSTech was created over 16 years ago to show the public what my student technicians were doing. StageSeminars was founded six years ago when Sonny Sonnenfeld and I started producing the annual Stage Lighting Super Saturday. As both activities are devoted to training of new designers and technicians, I've combine both into one website. 

Read more...
 
Stage Lighting 101 E-mail

Pete Borchetta presents a fantastic overview of the goals of lighting design. How lighting effects the overall look and feel of the show.

Three goals for the lighting designer: Pete will start with a basic discussion of the fundamental objectives for the lighting designer

Read more...
 
Lighting Design Process E-mail

Lighting Design is an art form unto itself. At the same time, lighting designers are part of a collaborative team with the director and the other designers, including Scenic, Costume, Sound, Projections, etc.William_Turner_-_Fishermen_at_Sea It is the collaborative work of the design team and director that brings that art to the stage. Scott will discuss some of the technical steps required to be a team member in the theater production collaborative process.

Read more...
 
White Model via Paper & Vectorworks. E-mail

Now that we've printed out all the parts to our model, it's time to assemble the paper into a simple 3-D model.

 
Good Enough E-mail

GOOD ENOUGH:
The term “good enough” is often misunderstood and maligned. What does “good enough” mean to you? You should expect to do work to a level “good enough” to achieve the goal you desire. If your goal is to pass this class, then “good enough” is simply achieving something above a “D.” Suffice it to say (I know this is harsh) that I do not know anyone working professionally today who will wish to hire someone with a goal to achieve anything less than “A's” and “B's.” Another reality of the professional world is that those that achieve A's are likely to receive a higher rate of compensation at the start for doing much the same work. Therefore, if your goal is to earn those A's and B's, then “good enough” takes on new meaning.

 
<< Start < Prev 1 2 Next > End >>

Page 1 of 2
We have 344 guests online